Monday, May 18, 2009

Eminem's Relapse Inspires Our Fantasy Slim Shady Playlist

DJ Drama, the Alchemist, DJ Whoo Kid and more offer up their favorite Em tracks to Mixtape Daily.
By Shaheem Reid



Eminem
Photo: MTV News



Mixtape Daily Special Report


Eminem has been a beast since his demo tape. We all know that. He's told us the good, the bad and the disgusting in his life and never held back any punches. He throws haymakers on the mic, from guest collaborations like "Off the Wall" with Redman and "Renegade" with Jay-Z to the album cut "Marshall Mathers." He's one of the best to ever to do it, and he's made a return to spotlight with his new LP Relapse.


In honor of King Mathers coming back, we're coming double-fisted. First, we have an exclusive, vintage freestyle that Em recorded right here in the MTV offices about a decade ago. As you'll see, Em was still rocking the blond 'do and was a monster, coming off the dome back then. He laid his raps while visiting DJ Stretch Armstrong.


Speaking of DJs, we've assembled some of the best in the game right now to give us their tracks for a fantasy Slim Shady mixtape. Before you have a heart attack, we couldn't include all of Em's greatest songs in one article, but feel free to tell us which ones we should include in part two. Big-up to Alchemist for getting the gig as Em's DJ while he's doing this promo run.


"Just Don't Give a F---"
"It was the first record that really introduced me to Eminem. It was unlike anything I ever heard. When I first heard that, I was an instant fan. When I heard that song, I was a complete nobody at that time. I fooled the world by pretending that I had an online Internet radio show. I got in touch with Eminem and [his manager] Paul Rosenberg and their camp when they was doing promo shows. Back then, I got them to come to my mom's basement, because I was such a fan and I couldn't wait to hear more stuff from this guy. I got them to my mom's basement, and we hung out. He was definitely drunk. ... Definitely, you could tell he was kinda a live wire. He actually came with Royce Da 5'9"." - Clinton Sparks


"The Way I Am"
"To me, Eminem is the ultimate personable artist. He always brings you in his life. 'The Way I Am,' he was already dealing with so much, really coming into his iconic status. For him to deliver that record and deal with what was going on ... it's amazing that a record like that could be a single. Lyrically, he's one of the greatest of all time. That's one of my favorite Eminem records. The flow was ill, as it always is. He delivered quality and gave his Eminem angry approach to it. You could feel the hostility in the record." - DJ Drama


"Love Me" (featuring 50 Cent and Obie Trice)
"That was a hard record right there. I guess it was so much sh-- going on, they didn't concentrate on that record. It was one of those records we should have done the video and pushed it more, but at that time, Eminem didn't need no pushing. He was already moving millions of units. It's hard when you're moving millions of units — 8 million, 10 million units — what's the purpose of concentrating on promoting separate records? Everybody heard it, it was poppin', but I felt they should have put a little light on the record. I think that was the first time we heard Em and 50 together." - DJ Whoo Kid


"Hello"
" 'Hello,' it's Em saying he's back. You could tell Dre mixed that record because of the sound. I like some of the cuts and scratches on the hook. That's the classic Em we love. He's been away for a second. It's Em. His flows on the new album, me personally, I like how he rapped on 'Hello,' the 'Beautiful' record is ill. 'Bagpipes Over Baghdad,' I like the style he raps on that. For my personal taste, I like the introspective Em." - DJ Skee


"Underground"
"When I first heard [Relapse], that was the song I said, 'This is gonna shut mutha----ers up.' Straight up. It would not be an issue. Nobody would be like, 'I didn't like this, I didn't like the flow.' ... When we perform that song, Em takes a spot on the stage, and that's it. He picks a spot and dumbs out. There's not a lot of moving. When we're rehearing the song, you know, 'This is gonna be something crazy.' He says, 'Turn the lights down,' they put the spotlight on Em, and it's just snap rap. In the current day and age, you don't hear songs like that. It doesn't seem like any of that other sh-- going on in the world or in the music industry was going on in his mind when he [made the song]. He was strictly into the craft. I don't think anybody is f---ing with that." - the Alchemist


"Insane"
"The first thing I thought when I heard it was, 'Oh, word? Another thing that happened to him that we're just finding out about?' I was like, 'This guy's life is worse than people think it is.' It's great that he's not afraid to say it or tell the people. There's a lot of people out there that sh-- happens to them that they feel embarrassed or they don't know how to do it. Nobody can tell a tale of tragedy better than Eminem and make it f---ing interesting and cool to listen to and make fun out of it. He's not saying it like 'woe is me.' He's saying, 'This sh-- is f---ed up. F--- it! This is who I became because of it. F--- you.' " - Clinton Sparks


"The Real Slim Shady"
"Em doesn't get much club play [in the U.S.], but when I go overseas and play 'The Real Slim Shady,' that's a classic over there. When people hear it overseas, they be buggin' the f--- out. The beat is hot. It's a long verse, but when the hook comes on, everybody is screaming. It's kinda like 'Jump Around.' I did it recently in Beirut, Lebanon, and parts of France. Those songs connect to the rich people and young kids." - DJ Whoo Kid


"We as Americans"
"That was an old record. That's when he said, 'I don't rap for dead presidents/ I'd rather see the president dead/ It's never been said, but I set precedents.' Sh--, man! He always figures a way to step beyond what other mutha----ers are doing with the bars. I always like that beat too." - the Alchemist


50 Cent's "Patiently Waiting" (featuring Eminem)
"Classic! 50 and Em over an Eminem beat. 50 in rare form, Eminem in rare form. Both on top of the world at the time. A monster who created another monster. That was just classic. Eminem beats at that time was such gold and had such rich sound. 50 fit the beat perfectly on that. Just the hook alone — 'I been patiently waiting for a track to explode on' — summed everything up." - DJ Drama


"8 Mile Road" and "Lose Yourself"
"That whole '8 Mile' soundtrack, even though it wasn't Em on the whole thing, it was ill. 'Lose Yourself,' that was Em's best. That's my favorite commercial Eminem single. That was Em in his prime. It was a great new direction for him. What the people in the mainstream knew him was for some of the funny stuff and all the crazy stuff with Kim. But the inspirational side was great motivation music. I've used it to motivate me. To show a white boy from the 'hood in Detroit can come out and do it, it's inspirational." - DJ Skee


Notorious B.I.G.'s "Dead Wrong Remix" (featuring Eminem)
"That was hot too. Em held it down very well. Nobody complained about that. You would never hear Tupac or Biggie doing songs with 60 percent of the artists that are booked on those remix albums. But Eminem, it felt like B.I.G. would have done a song with Em. With the remixes with dead rappers, I don't pay attention to them, but I wanted to see how Em would alter his lyrics to f--- with Biggie. He hung with him." - DJ Whoo Kid


For other artists featured in Mixtape Daily, check out Mixtape Daily Headlines.


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'Hills' Star Lo Bosworth Avoided 'Pink, Frilly' Gowns For Her Prom

'We had, like, hot outfits and stuff, and we pretended like we were old,' she recalls of her 'Laguna Beach' days.
By Jocelyn Vena



Lo Bosworth
Photo: Charley Gallay/ Getty Images



It's May — you know what that means. It's getting warm, the flowers are blooming and the time-honored tradition of prom is back again. So get your corsages, turn up the cheesy music and fuel the limos, because this week we're catching up with your favorite stars and helping them relive their favorite prom memories.


Lo Bosworth has several proms to remember fondly. "The Hills" star, who also spent some time in high school in front of the cameras on "Laguna Beach" alongside Lauren Conrad and Stephen Colletti, told MTV News that she and her friends really made sure they did prom night right back in the day.


"I had so much fun at prom. I went to three proms, actually," she recalled. "I went almost every year of high school, and in Laguna, we did it up."


For the Laguna kids, that meant celebrating prom in the splashiest way possible. "We got huge limos and fabulous dresses — none of this pink, frilly sh--," she said. "We had, like, hot outfits and stuff, and we pretended like we were old, and it was so much fun."


When it came to dates, Lo relied on the company of her best girlfriends, but for one year, there was a very special guy by her side — sort of. "I went with friends every year," she said. "Except one, and that year, I went with my ex-boyfriend. I broke up with him, but we still went to the dance together."


Music News Blog: http://allmusicnews.wordpress.com

Blink-182 Talk Reunion, First Tour In More Than Four Years

'I think it's gonna be amazing,' Tom DeLonge says of the jaunt, which will include Weezer, Fall Out Boy and other acts.
By James Montgomery



Blink-182's Tom DeLonge and Mark Hoppus
Photo: Jason Merritt



On Thursday night in Hollywood, Blink-182 ended a four-and-a-half-year hiatus with a surprise performance at a T-Mobile party at Paramount Studios. And now that they're officially, 100 percent back, how would they rate the reunion so far?


"Awkward, weird ... a little standoffish. Me and Travis are on one side [of the studio], behind a brick wall, and Tom is outside the wall knocking," Blink's Mark Hoppus told MTV News at the event. "You ever seen that episode of 'The Odd Couple' where they drew the line down the middle of the room? Yeah, it's kind of like that."


"And there's a couple holes where we stick various parts of our bodies through," Tom DeLonge added. "It's really super strange and weird. But it rocks."


And judging by what we heard onstage Thursday night, it does, indeed, rock. So now that they've got one performance under the belt, what about Blink's much-hyped summer tour with Weezer, Fall Out Boy and a rotating list of huge acts (Taking Back Sunday, All-American Rejects, Panic at the Disco, Asher Roth and Chester French)? What can fans expect to see out on the road? Well, lots and lots of lasers, apparently.


"I think it's gonna be amazing. There are amazing bands, they're all big. When we started talking about doing the tour again ... we had all these options start popping up. It was really amazing to be able to end up on the bands we had," DeLonge said. "Usually when you go out on tour, there's a lot of negotiations as far as time and who can do what and when they can do it, or whatever ... I'm gonna be honest right now. The tour is gonna be good. Mark, after f---ing 17 years, might let me have lasers!"


"It's true," Hoppus laughed. "[Lasers] broke up our band at one point, and now it's lasers that are bringing us back together."


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Thursday, May 14, 2009

Epson Launches Six Printers in One Go

epson-stylus-p50After a long duration of lull in the printer market, it’s full blooded storm from Epson with their new six printers on the block. The freshmen launched in the market include Epson P50, a multi-function colour photo printer along with five other Stylus segment printers.


The Epson P50 looks somewhat like Epson in its glossy black casing; the designer might always imply that he was inspired by Samsung printers though! It is designed for homes especially and can print documents as well as photo prints.


The five Stylus printers include SX515W, SX415, SX215, SX115 and SX21. All five are meant for homes (once again) and the manufacturer claims to offer prints at an economy; including the lower energy usage. Individual cartridges are provided on these printers to ensure that only the ink that needs replaced gets replaced, and we are talking economy again.


All five printers have subtle difference between each one of them. The top model, SX515W offers Wi-Fi connectivity, 6.3cm LCD viewer and PictBridge connectivity and is priced moderately at …

Fabolous Falls For A Thief In 'Throw It In The Bag' Video

'Definitely want a girl who knows how to go out there and get what she wants,' he says of the inspiration.
By Shaheem Reid



Fabolous and Claudia Jordan
Photo: Fabolous Life



NEW YORK — Def Jam Records had their team working hard Tuesday. In Harlem, Jadakiss and OJ Da Juiceman shot the second part of their "Who's Real" video, while Fabolous filmed his "Throw It in the Bag" clip in lower Manhattan. The-Dream, who sings on Fab's hook, Christina Milian, Irv Gotti, DJ Clue, Ryan Leslie and model Claudia Jordan all came down for cameos.


"This video today is about a girl who likes to throw things in a bag in her own way," Fab said on set. "We got the beautiful Miss Claudia Jordan. You might have seen her on 'Deal or No Deal' or '[Celebrity] Apprentice' or heard her on Jamie Foxx's 'Foxxhole' radio show. We decided to have her in the video because she can walk the walk and talk the talk. ... We had her play as a thief, and she's going in there and throwing things in a bag. But I'm kinda feelin' her. I'm feeling her integrity, I'm feeling her style, I'm feeling her going out and taking what she wants. By the end of the video, I'm kinda looking past her being this big thief, and maybe next time she throws things in the bag is because I'm buying it for her."


Fab said in real life, he's been attracted to women that remind him of Jordan's character.


"Not a shoplifter," he clarified with a chip-tooth grin. "A woman with some edge. Definitely want a girl who knows how to go out there and get what she wants. Not shoplifting, but she makes it happen."


"Throw It in the Bag" is the second video Fab has filmed recently in advance of his summer album, Loso's Way. He already has the clip for "It's My Time" in the can.


"It's saying how long I been in the game and did things my way, and 'It's My Time' again," he explained. "That's more what 'It's My Time' is about — for me to do my thing and wake people up to that. 'Throw It in the Bag,' on the other hand, is another fun record from Fab that has some energy. You can move to it. The girls are gonna like the message to it. Just go out there and not pay attention to what a price tag says: 'Just throw it in the bag.' It's a little motivation for people to go shopping and have some fun with it, too, in the recession."


Over the next several days, Fab is releasing at least two trailers for his album. In one trailer, Fab is decked out in a tux with friends, such as former Cheetah Girl Adrienne Bailon, enjoying a night on the town when there is an attempt on his life. In another one, Loso walks through a headquarters where cocaine is being cooked up and makes sure his employees are handling their business.


Guest stars on Loso's Way include The-Dream, newcomer Jeremih, Trey Songz, Marsha Ambrosius, Jay-Z and Lil Wayne on a track called "General."


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Wednesday, May 13, 2009

Witnesses Say London Police Posed as G-20 Protesters


Riot police during protests against the G-20 summit in London on April 1.


Last month we wrote that a photographer in London had written to The Lede to say that he thought he had witnessed undercover police officers trying to incite protesters to violence during the Group of 20 summit in London. This week, The Guardian reports that Tom Brake, a Liberal Democrat M.P. who observed the protests has come forward to say that “he saw what he believed to be two plain-clothes police officers go through a police cordon after presenting their I.D. cards.”


The Guardian reported on Sunday that Mr. Brake plans “to call for an investigation into whether the police used agents provocateurs to incite the crowds.”


New music:


U2 No Line On The Horizon

Pixar's journey to Cannes acclaim

Pixar's invitation to launch this year's Cannes Film Festival with their 3D feature Up marks the latest coup for the US computer animation powerhouse.
Lasster (right) is in Cannes with Up's director Pete Docter (left)



It is testament to how the company behind Toy Story, Finding Nemo, Wall-E and Monsters, Inc. has balanced commercial kudos with critical acclaim.


Winner of more than 20 Academy Awards, the company's own proprietary software has placed it at the vanguard of the computer-generated imagery revolution.


But according to its website, Pixar attributes its success to "memorable characters and heart-warming stories that appeal to audiences of all ages."


Pixar's driving force is John Lasseter, a former Disney employee whose formative experiments in computer animation were rejected by the so-called House of Mouse.


Having had his contract terminated, Lasseter ended up making his first short, The Adventures of Andre and Wally B, for a division of George Lucas's LucasFilm.


Technology


When that subsidiary company was bought by Apple founder Steve Jobs in 1986, Pixar was born.



Around this time, computers were often used to fashion special effects in live-action films and to create backgrounds in animated ones.


Lasseter's colleague Ed Catmull, though, challenged him to use the fledgling technology to make characters as well - traditionally the domain of hand-drawn animation.


John's animated shorts impressed Disney so much his old employer agreed to finance his debut feature, 1995's Toy Story.
Up tells of an old man and a boy scout who travel to South America



The first fully computer-animated feature film, it became that year's highest-grossing movie with global box-office takings of $362 million (£238.7 million).


Disney continued to co-produce and distribute Pixar's films, with 1998's A Bug's Life becoming another sizeable hit.


Relations were strained, however, by Disney's contention that Toy Story 2 - a straight-to-video title considered strong enough to warrant a theatrical release - was not covered by their three-picture deal.


Outside the boardroom, Pixar continued to generate a string of blockbuster successes - 2001's Monsters, Inc., Finding Nemo (2003)and The Incredibles a year later.


Its shorts, meanwhile, continued to nurture new talent while providing useful testing grounds for the company's latest innovations.


Differences behind the scenes, though, suggested Pixar and Disney's profit-sharing agreement was unsustainable in the long term.


Ambitious


So many were surprised when the companies decided to merge in a 2006 deal which saw Lasseter become Disney/Pixar's overall creative director.


The new arrangement led to the 52-year-old maintain his role at Pixar while taking a supervisory role over Disney's animated product.
Pixar's Walle-E won the best animated feature Oscar earlier this year



Last year Disney/Pixar unveiled an ambitious slate of animated features that will include a third instalment in the Toy Story franchise and a sequel to its 2006 film Cars.


Pixar's other future projects include Newt, a comedy about two bickering salamanders, and The Bear and the Bow, an action adventure set in ancient Scotland.


Since 2000, Pixar have been located at a purpose-built facility in Emeryville, California, a small town close to San Francisco.


Earlier this year, it announced it was opening a second studio in Vancouver, Canada to handle its non-feature projects.


The Pixar team's presence at Cannes begins a lengthy roll-out for Up that will take Lasseter and his colleagues around the world.


Later this year he and his fellow Pixar feature directors will receive a special award at the Venice Film Festival in recognition of their body of work.


Early reactions to Up have been positive, with Variety's critic calling it "a captivating odd-couple adventure that becomes funnier and more exciting as it flies along".


Screen International's reviewer agrees, describing Pete Docter's film - out in the UK in October - as "a marvel of a movie which will enchant cinema-goers around the world".